Resources and Bibliography
Roland Barthes, Camera Lucida-Reflections on Photography
Roland Barthes, Empire of the Signs, Translated by Richard Howard (The Noonday Press, 1982)
Maurice Blanchot, The Space of Literature (Éditions Gallimard, 1955)
Richard, Hobbs, Boltanski’s Visual Archives, History of the Human Sciences, Vol. 11, No.4 (Sage Publications 1998)
Andrew Fisher, Beyond Barthes Rethinking the phenomenology of photography
(Radical Philosophy, 2008)
Andre Bazin, The Ontology of the Photographic Image
Rhonda Khatab, Carlo Salzani, Sabina Sestigiani and Dimitris Vardoulakis, Editors, Blanchot the Obscure, Colloquy Text Theory Critique
(Monash University, Issue 10, November 2005)
Patrick James Lyons, Tracing the Obscure Image: Maurice Blanchot on Photography (Project Muse, University of Pennsylvania Press, 2018)
Maurice Blanchot, The Book to Come (Stanford University Press, 2003
Italo Calvino, The Adventures of a Photographer
Gilles, Deleuze, Cinema 2, The Time Image (University of Minnesota Press, 1997)
Corinna Tsakiridou, Barthes Explores Photography As a Wound (Edinburgh Press,1995)
Giles Deleuze and Felix Guattari, A Thousand Plateaus: Capitalism and Schizophrenia
Sandra Plummer, Photography and Duration: Time Exposure and Time-Image
Jacques Derrida, The Work of Mourning (University of Chicago Press, 2001)
James Magrini, Anxiety in Heidegger’s Being and Time: The Harbinger of Authenticity (2006), Philosophy Scholarship, Paper 15. http://dc.cod.edu/philosophypub/15
Piers M. Smith, The Neutral View: Roland Barthes’ Representations of Japan and China, IAFOR Journal of Literature & Librarianship (Volume 5, Issue 1, 2016)
Nicholas de Villiers, A Great Pedagogy of Nuance, Roland Barthes’s The Neutral (Project Muse)
Marshall McLuhan, The Photograph-The Brothel Without Walls
Jennifer Wilber, An Introduction to Plato’s Theory of Forms (2019)
Esther Teichmann, Falling Into Photography: On Loss, Desire and the Photographic (PhD Fine Art Photography, Royal College of Art, 2011)
Giles Deleuze, Proust and Signs, Translated by Richard Howard (University of Minnesota Press, 2000)
K. Malcolm Richards, Derrida Reframed, A Guide for the Arts Student (I. B. Tauris &Co.Ltd, 2008)
Alican, Necip, Ontological Symmetry In Plato: Formless Things and Empty Forms, Analysis and Metaphysics 16 (2017)
Graham Allen, Intertextuality (Routledge, 2000)
Claire Colebrook, Gilles Deleuze, (Routledge 2002)
K. Malcolm Richards, Derrida Reframed (I.B. Tauris 2008)
Dagfinn Follesdale, Husserl’s Reductions and the Role They Play In His Phenomenology (Blackwell 2006)
Nicholas Royle, Jacques Derrida (Routledge 2003)
Geert Lernout, Joyce As A Reader (Antwerp James Joyce Center, 2017)
Joyce Scholar, Joyce, Heidegger and the Material World of Ulysses: Ithaca as Inventory (James Joyce Quarterly, Volume 54, Number 1-2, Fall 2016-Winter 2017, pp. 119-147)
Eric Richtmyer, Maurice Blanchot: Saboteur of the Writers’ War (Proceedings of the Western Society for French History,Volume 35 (2007)
Peter C. Bunnell, with Maria B. Pellerano and Joseph B. Rauch, Minor White, The Eye That Shapes (Art Museum, Princeton University, 1989)
Fabien Arribert-Narce, Roland Barthes’s Photobiographies: Towards an “Exemption from Meaning” (University of Kent)
Elena Oxman, Sensing the Image: Roland Barthes and the Affect of the Visual (SubStance, Volume 39, Number 2, 2010 (Issue 122), pp. 71-90 (Article) Published by University of Wisconsin Press )
Rudolphus Teeuwen, The Dream of a Minimal Sociality’: Roland Barthes’ Skeptic Intensity (Theory, Culture & Society 0(0) 1–16. Copyright, The Author(s) 2016 )
Rajni Singh and Seema K. Ladsaria, Reading ‘Studium’ and Pinctum’ In Steve McCurry and Raghu Rai’s Photography (Trames, 2017)
Lowenstein, Adam, The Surrealism of the Photographic Image: Bazin, Barthes, and the Digital Sweet Hereafter (Cinema Journal, 46, Number 3, Spring 2007, pp. 54-82 (Article), University of Texas Press )
Chanon Kenji Praepipatmongkol, Hitoshi Nomura: Seriality and Photographic Time
Rosalind Krauss, The Originality of the Avante-Garde and Other Modernist Myths (MIT Press, 1986)
Sunil Manghani, Neutral Life: Roland Barthes’ Late Work (Theory, Culture and Society)
Chris Marker, Silent Movie (Wexner Center for the Arts 1995)
Geoffrey Batchen, Photography Degree Zero Reflections on Roland Barthes’s Camera Lucida (MIT Press 2009)
Site/Sight as Text: Barthes and Zero Degree Architecture (Margot Note Consulting)
Allison Meier,The Scientist Who Shot His Photos with a Gun and Inspired Futurism (Hyperallergic, 2015)
Ursula Coope, Time For Aristotle, Physics IV.10-14 (Clarendon Press, Oxford 2005)